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Books : Alexander Calder: The Paris Years, 1926-1933 (Whitney Museum of American Art) |
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List Price: $60.00Amazon.com's Price: $37.80 You Save: $22.20 (37%)Prices subject to change.
Availability: Usually ships in 24 hours
Binding: Hardcover
Dewey Decimal Number: 709.2
EAN: 9780300126228
ISBN: 0300126220
Label: The Whitney Museum of American Art
Manufacturer: The Whitney Museum of American Art
Number Of Items: 1
Number Of Pages: 302
Publication Date: September 08, 2008
Publisher: The Whitney Museum of American Art
Sales Rank: 36008
Studio: The Whitney Museum of American Art
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Editorial Review:
Product Description:
In 1926, Alexander Calder (1898–1976) moved from New York to Paris and began to use time and motion as 'materials' for animating line and space. Calder’s years in Paris––an understudied part of the artist’s career––is the focus of this marvelous publication.
A team of international scholars discusses Calder’s many innovations of this period, chief among them his abstract, motorized, and mobile works. They analyze the extended cast of Calder’s animated Circus, made in Paris between 1926 and 1931, and include previously unpublished photographs by Brassaï and Kertesz of Calder and this beloved performative sculpture. The essays critically explore the intellectual, cultural, and artistic milieu of Paris in the late 1920s and early 1930s and the contexts of Calder’s friendships with Miró, Mondrian, Duchamp, and Man Ray, among others. What emerges in this fascinating book is a nuanced and detailed understanding of how Calder’s distinctive career first took flight.
Customer Reviews
Average Rating: 
Rating: - The Artistic Genius of Alexander Calder's Paris Years.
Alexander Calder (1898-1976) was an American sculptor and artist, perhaps best known for inventing the mobile. He moved from New York to Paris in 1926, where he established a studio in the Montparnasse Quarter. His articulated toys (particularly the "Cirque Calder") constructed from wire, string, rubber, cloth, and other found objects became popular with the Parisian avant-garde. Soon he had become a central figure of the Modern movement.
Many of his abstract, motorized, and mobile ... Read More
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